幻魅都市:張美君博士香港電影研究論文集

已故學者張美君博士(1958–2015)專研香港文學與電影,她從膾炙人口的香港電影中,窺見對香港複雜而矛盾的情緒,洞悉作品和它產生的時代如何密不可分。由《瘋劫》和《胭脂扣》到《香港製造》和《細路祥》,自 《阮玲玉》與《甜蜜蜜》到《長恨歌》與《歲月神偷》,電影作品的影像與聲音,在這本論文結集中堆疊成一座鬼影幢幢的幻魅都市。

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A Companion to Hong Kong Cinema

A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian […]

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寫在窗框的詭話

窗框內外,是個人記憶的感性,也是文化評論的理智。詭話,就在抒情與說理之間,發掘後現代城市與人生的荒誕。書中大部分文章來自她在《明報》的專欄,另有 小半曾於其他地方發表甚或是首度曝光。結集成書之際,張美君找來區國強與陳蕙瑜為文字配上亮麗攝人的照片和趣味盎然的插畫,文字與影像圖畫的對話為本書帶來多一重意義。

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City at the End of Time: Poems by Leung Ping-Kwan 形象香港: 梁秉鈞詩選

Written by Leung Ping-kwan in the 1980s and 1990s, this volume of poetry evokes the complexity of Hong Kong city life in the critical moments preceding the 1997 handover. The poet muses upon the problems of cultural identity and the passing of time, and explores the relationship between poetry and other genres and media within a cross-cultural and cross-border context. […]

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Hong Kong Screenscapes: From the New Wave to the Digital Frontier

Global connections and screen innovations converge in Hong Kong cinema. Energized by transnational images and human flows from China and Asia, Hong Kong’s commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood. The circulation of Hong Kong films through art house and film festival circuits, as well as […]

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Fruit Chan’s Made in Hong Kong

This tragic coming-of-age story follows three disillusioned local youths struggling to navigate Hong Kong public housing projects and late adolescence amid violent crime, gang pressure, and broken homes. Their personal friendships and family lives intersect with a mysterious fourth protagonist, a girl whose suicide haunts the other three throughout the film as they move toward their own premature ends. This […]

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關錦鵬的光影記憶

關錦鵬恆常言道:「當導演就要做到『既近且遠、既遠且近』的境界。」他的作品正是以這種美學原則,塑造了許多不朽和豐富的文化影像。我們無法忘懷《胭脂扣》中如花與十二少的頹廢、《阮玲玉》中一代女星的孤寂、《藍宇》中兩個男人於午夜街頭的擁抱、《愈快樂愈墮落》中那風起雲湧的青馬大橋……這種夾縫處境及遠近美學,讓他在商業主流與文人風範之間、在女性電影與酷兒論述之間、於家國以外,造就另一片風景,並以說書人的身份,繼續為這個城市空間編織傳奇。

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沙巴翁的城市漫遊

此書九名作者先後任教或就讀於香港大學比較文學系,他們先把「城市」當作文本來閱讀,繼而再創作關於城市的文本,《沙巴翁的城市漫遊》就是一個把閱讀城市的經驗轉化為書寫城市的實驗。閱讀,可以呈現看不見的城市;書寫,則可以憑靠意志將城市改編。 沙巴翁本是法式甜品,現在卻成了思考城市問題的隱喻。謹把飄浮在幻想中的沙巴翁,獻給身在身處我城卻視而不見的目盲者,以及用盡感官心靈遊走我城的都市閒蕩者,讓我們一同細味品嚐。

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Between Home and World: A Reader in Hong Kong Cinema

《越界光影:香港電影讀本》 This present volume of essays anthologizes a recent body of critical works written in English on the cinema of Hong Kong in the midst of the phenomenal rise of Hong Kong cinema as a worthy object of academic study. It is also an effort to give the cinema a name. The analytical category is the ‘crisis cinema’ which is […]

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